How to win at everything

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If you’re walking home by yourself in the dark, and get cat-called by a group of men, stop. Place one hand against your ear like you’re talking into a small microphone, and say: “We got him. Send in backup.” Watch them scatter.

Do you have a problem with people crowding the poles on the subway? Whisper “gonorrhea.” Press up against them. Sneeze or cough on them. Breathe, heavily, on their necks. They’ll love that.

Always give up your subway seat to expectant mothers and mothers with small children (notice I didn’t say tall). Smile, and say, “Your kids look delicious.”

There is nothing better than leaving a psychiatric hospital, breathing in the polluted air, meeting new people to scream at, and jumping in front of cars on purpose. #namaste

Nazis matter. They’re beautiful, too. #stopNazishaming

They should have let Hussein live.

Never trust anyone named Nancy.

Your whole life is a lie. You’re Asian. That’s the only thing you can be. When people ask what language you speak, say Asian. And when they suggest that you look this rather than that, say, “No, sir, I’m Asian.” Or Alien.

Say “Shank you,” rather than “Thank you.” It’s the right way to do it.

When people tell you about their bad day, interrupt them to tell them how badly yours had gone. Override them if they try to interrupt.

If someone says, “Not to be racist,” kick them in the balls or punch them in the boobs or both, and make a run for it.

Foreclosure is good. Foreplay is bad.

Guys love it when you whisper “Schweaty balls” in their ears, then walk away backwards, making sure to maintain eye contact.

Stay close to your loved ones. They’d love to see how much of an asshole you’ve become.

Obligatory New Year’s Resolutions

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Yeah, I’m unique because I posted this on Jan. 2 and not Jan. 1.

Happy New Year, everyone. I hope everyone finds what they’re looking for, and I hope everyone experiences the joy of stumbling across something unexpected.

2014 was hectic. I graduated from college, got a job in Manhattan, and moved way out of my comfort zone to a place in Brooklyn. I’m ready for more surprises! Here are a few of my hopes for 2015:

Continue writing. That includes updating this blog more often. I feel as if I’ve been editing instead of writing, stripping away the emotional nuances in my stories and leaving behind coarse, but grammatically correct sentences. I also want to finish at least one story and have it proofread, before sending it off to a journal or a magazine (and accepted!).

Read more. I’ve read books, of course, but not as many as I want to read. First book for me to finish in 2015? “Why I Read?” by Wendy Lesser. I can’t tell you how many times I’ve missed my subway stop because of this book. It’s rare for a nonfiction book to have that effect on me. Reading it really strengthens my love for the written word.

Now I just have to resist Netflix, but they tease me:

Netflix

Make friends and cherish the ones I have. What I’ve realized is that you make friends without knowing it. One day, you think about someone and they think about you, and you gradually see each other more and more, and a nice friendship forms. The other day, I looked around the room, and found myself feeling grateful for each and every person surrounding me, who’ve affected me in more ways than one.

One of my worries after graduating college was losing touch with friends, but I feel even closer to them now that they are far away. Being able to keep in touch with them—via text, phone, or email—proves that our friendship goes beyond Stag Nation, and has love and respect as its foundation. #Gurls, you’re the best.

Be healthy. In my defense, I signed up for my gym membership way before New Year’s Day, so exercising is not my main resolution. I’ll try eating healthier, which means cutting down my consumption of desserts and fried food (though I started off the new year by eating fried chicken from Amy Ruth’s. Shhh!!!).

What’s your New Year’s resolution?

Letters to myself

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A week before graduation (wow, six months ago?), a creative writing professor asked us to write letters to send to ourselves. I’d gotten mine in September, and it’s taped to the wall, right above my writing desk. Whenever I hit a writer’s block, I look up from my computer screen and stare at this letter.

This letter reminds me of promises that I had made. Most of the time, however, this letter funnily reminds me that inside this petite Asian body is a character I imagine to be similar to Clint Eastwood …

Dear Loan,

You’re probably still procrastinating and wondering if your novel is “worth it,” if your writing in general is “worth it.” You always doubt yourself, you always go back and forth with your ideas, and you always say, “I’ll write it soon.” I want to tell you to stop that bullshit.

Sit the fuck down and write.

And when you can’t, go outside, wherever you are, and observe the things going on around you. Create a story for the people who walk with their heads down, for the people who look angry or upset. Look for the houses that look abandoned, the cracks on the road … let yourself be inspired by the broken.

Then go back and

1. Work on your novel.

2. Say ‘hi’ to your family.

3. Work on your short stories.

Love,

Loan

Sit the fuck down and write. Maybe I should copyright that phrase. Does anyone want to buy a poster? No, no one?

Whatever. I think you might like this, too–here’s something I wrote in 2009, back when I was just getting serious with my writing (completely unedited, unfortunately). I read it the other night, and I was surprised by how fervent I sounded as a high school junior.

(By the way, does anyone use Facebook’s Notes section anymore? That’s where I had posted this letter. To save myself from embarrassment, I have since deleted all of my notes.)

My Purpose

I find myself contemplating about my purpose in life. I suppose this can relate to everyone has been lost before. It’s a narcissistic quality that is innate in all humans–the feeling that you were made to do something. Feeling, deep down, that some divine power had placed you on earth for a singular purpose. Believing that you were genetically designed to do one thing that could affect the process of our metaphysical world. Unfortunately, it just takes an insane amount of time to find a niche.

These thoughts of mine had resulted from a digression in self-esteem. It has been going for the past few days, I admit. Grades, friends, family…I took a hit one day, staggered, got hit with another, and finally, I fell. After this, the world ceased to make sense to me.

I don’t want to make a difference. That’s right. I don’t. Personally, I’m simply not capable of changing the way the world runs. Some people dream of creating inspiring and brilliant theories in science and math and stuff like that. Me? I’m not gong to invest my time to try and reach something that’s best to be left high in the sky. But I do want to be noticed. Do you have to bring a change if you want to be recognized? What reasons make people look at you with respect and awe?

I want to be a writer, plain and simple. But I can’t find the main driving force behind my desire. Perhaps I never will. Do I have to have one reason?

Do I want to write in order to be recognized? That’s one question.

Yes, I suppose I do.

Do I want to write because it makes me feel great?

Hell yes. Solved.

Writing is…indescribable. I love the smell of graphite that reaches my nose whenever my pencil caresses paper. I love hearing the words that I write echo in my head, in the way I intend them to be said, heard, and felt. I love the perplexity that I feel when I can’t find this one word…and I love trying to sift through the files of my mind to find it.

And when I do, the word fits snugly into the puzzle that is my sentence. Suddenly, it all makes sense. I love the fact that nothing is finished until a period is meticulously dotted. That a stretching sea of beautiful bountiful blue will forever go on until I write “and then it was drained of all water”. I love the pictures that are painted by my words and pencil (No paint, no mess). That when I used the world “pencil”, I only saw me and my red Coca Cola pencil against my piece of paper. I love the feeling of my pencil in my hand, because it’s like my hand has molded itself to let my pencil, my creative extension, fit. There’s a mark made by my pencil on the third finger, and it’ll remind me of my writing which will forever be etched in my soul.

No one has told me my purpose. At certain times, I feel like I have none. Like someone had just put me on earth for entertainment, to watch and laugh at whenever they feel sadistic.

Other times, like the moment that had occurred two minutes ago while I was writing this, I know what I need to do. And I will let no one tell me what I can and should do. It’s me who has to find a purpose. And my purpose is to write. Therefore, I am a writer.

 I guess I don’t want to let my 16-year-old-self down. Better keep writing.

Photographed by Alyssa Coffin in 2008?

Photographed by Alyssa Coffin in 2008?

In search of a writing community

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photo

Oh wow! Writers in their natural habitats!

In a previous blog post, I wrote about loneliness and the transition from college life to semi-adult life. Short summary: It wasn’t going very well. My way of coping, of abating that loneliness, was to write. Interestingly enough, after I published that post, a stranger on Twitter suggested that writing could also be the cause of loneliness. I suppose this person is half-right; when you’re doing something you love, you’re in the moment, and you can forget where you are. But I don’t want writing to prevent me from meeting people; I decided that writing should help me meet people.

I immediately began my search for writing groups in NYC and Brooklyn, and let me tell you: The quest was exhausting. I left my first meeting feeling utterly disappointed. I was the youngest person in attendance, and felt as if the older members devalued my opinions. They were also creepy.

Then I attended a Gotham Writers’ Workshop course in downtown Brooklyn, which turned out to be a much better experience. I felt included—perhaps it was because the instructor sought to make all writers feel comfortable. Despite this, I’m not sure I’d want to pay $20 for another course. The instructor only allowed us to offer positive feedback. I’m all for positive energy, but I wonder how we’ll improve as writers if we receive only positive feedback. Perhaps I am used to seeing my writing be brutally torn apart, thanks to my journalism experience (starting with the time I got a 76 on my first journalism assignment in Dr. Simon’s freshman news writing class…but that doesn’t really matter…)

Anyways, guys, I’ve finally found a writers’ group. It’s been around for twelve years, with a solid core and a welcoming attitude toward newer members like moi. I’ve attended four meetings so far, recently returning from a session last night, and I feel like I can belong here eventually. I really enjoyed meeting and talking to the other writers. There’s a writer who is a financial analyst by day and a horror screenwriter by night, a former Silicon Valley techie working on a (surprise!) technology thriller, and a librarian writing the next big teen novel (sans vampires).

Here’s the drill: we chat for a few minutes and then take an hour to work on our writing. After the host says stop, we spend two and a half hours reading and critiquing each other’s works. Three types of readers usually show up to these meetings. There are the immediate volunteers. This person is confident enough to be the first to read. Or, this person is overly confident and likes the sound of his or her own voice (ew). There are the reluctant sharers. They look around and see no one volunteering. They decide, after a sigh, to read. There are the oh-god-don’t-look-at-me non-readers. They usually sit in the corner and frantically shake their heads when asked to read. They don’t share in fear that they might be horrible—but by doing this, they might be brilliant writers, but we’d never know it.

I can be any of these three types of people, but I tend to be the reluctant reader. I’ve always been a self-conscious speaker, because I stumble over my words. Good thing I can practice at these meetings! It actually helps to listen to myself. For example, if I struggle with a sentence, I make sure to mark the spot and see if I can smooth it out later.

As much as I love writing and reading my work, my favorite part is the feedback session. Over the years I’ve received countless writing advice from trustworthy writers, and I like to absorb all that I can to become a better writer. Naturally, I want other writers to feel like they’re receiving constructive feedback—something they can use and not just think about. At the last group meeting, our critique got intensely detailed. For about twenty minutes, we pondered if it was right for a particular character to drink Bass Pale Ale. Yes, I know how silly that sounds, but we were all serious! Is this character really a Bass guy? Or would he drink Guinness? Decisions, decisions (As a non-drinker, I tried to play along).

I do worry, however, that some feedback will go unheard. Writers can’t help but feel a small stab whenever they receive critiques. There are some who can swallow their pride, and there are others who feel the need to defend their every word. I’m sure people have felt the frustration of explaining a critique only to find a writer completely intolerant to the idea that maybe – just maybe – they have committed a fault in their writing. Because of this, I sometimes prefer writing feedback, rather than giving it to the person upfront (yay reader’s reports!)

I’m so excited for more writing sessions!

In effort to become more social on the web (I hear writers need to do that these days), here’s a question to end this post: writers, what do you think of writers’ groups?

 

 

 

 

What I learned after working at a literary agency

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I worked at Folio Literary Management in Manhattan for about four months. It’s an agency that represents fiction and non-fiction authors. I’ve already experienced the publisher side when I was at Simon & Schuster  (where I will soon return), so I wanted to get a sense of where a book really begins: at an agency. I heard about Folio from a friend, and decided to apply in the summer of 2013. I didn’t get a response until the end of the year, but I didn’t care: it was a response!

While at Folio I maintained my agent’s query inbox. She’d get more than 20 emails a day, each with ten-page submissions for me to read. If I liked a query, I would say so (two paragraphs talking about narrative momentum, character, marketability – all things to consider when reading a manuscript), and then I’d get either a partial manuscript (50 pages) or a full manuscript. For a full script, I would have to write a one-page reader’s report listing the story’s strengths and weaknesses and a suggestion as to whether or not the agent should represent the client. I’d also research recent literary prize winners and see if their work could become a novel or if they’re already at work on a novel (making sure, of course, that they are not already represented). As you can see, I was given many responsibilities and I worked hard to complete  my tasks in a timely manner.

This experience was so rewarding. I learned so much about the publishing industry, thanks to Folio’s Intern Academy sessions. When I finish my novel, I’ll know how to query an agent! If you’re reading this, you’re probably a friend, and you’re probably curious to see what I’ve learned from Folio. Or you’re a complete stranger, but want to hear about my experience at a literary agency. Maybe you want to get an internship at a literary agency. Perfectly fine!

Here’s what I have to say. Some are tips for authors, some are pet peeves that I had as an intern (a few are confirmed pet peeves and others are personal pet peeves). Comment below if you have any more questions!

  • Easy on the font. Use Times New Roman or a clear serif.
  • When writing your reader’s report, watch the tone. You’re trying to help the writer improve his or her story, so it’s important to maintain a cordial tone throughout your report.
  • When submitting one novel, don’t mention that you have another one in the works. If an agent really likes your writing, he or she will ask. But if you tell them right away, it’s like you’re telling them, “Hey, I don’t think this is good enough either, so here’s some other choices!”
  • Research your potential agent. Did you write a YA novel? Check if she or he is accepting queries for that genre at the moment.
  • Let your supervisor know what you like to read. I told my supervisor that I love reading literary fiction, so he would always send me those queries.
  • Queries are first impressions that agents get of clients, so proofread. It’s amazing how people can completely ignore that.
  • Never send a mass email. Always address one agent at a time.
  • Don’t mention how you got your novel idea. Agents don’t care if God told you to write something.
  • Have a detailed synopsis ready in case the agent likes what you’ve sent him/her so far.
  • Don’t compare your writing style to legendary writers like Ernest Hemingway or Jane Austen. That’s just pompous.
  • The first ten pages matter. They usually tell agents to read more. You might be asked to submit a  partial (50 pages) or a full manuscript. So, it’s important that you get to the point of your story.
  • Read the literary agency’s submissions guidelines. It’s that simple.
  • Include relevant writing experience in your query. If you’re writing mystery and you’re a member of a mystery writing club, let them know.
  • If you’re writing prescriptive nonfiction, have a platform. If you’re writing narrative nonfiction, you have to write well.
  • Interns: Take books from the book pile. Book piles are heaps of gold. Don’t pass up an opportunity to get FREE books (and no late fees from the library).
  • Know what’s going on the publishing industry. I recommend reading PubTalk, Galley Cat, Mediabistro – any site that relates to publishing.
  • Make friends, because you’ll never know what’s going to happen two years, three years, etc. down the line. Publishing peeps are fun.
  • ENJOY.

Am I a poet now?

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Courtesy of V.H. Hammer on Flickr. Found through Creative Commons.

I just handed in a short poetry collection that I worked on for a semester. That’s right: poetry.

This class was certainly a transformative experience. I’ve learned to appreciate the emotional stake, the inspired language, and the truth in works of several poets (Sylvia Plath, James Tate, James Wright, to name a few). I’ve also learned a great deal by reading my classmates’ poems and seeing their style. In my poems I talked about myself and my family, and it was weird, because I’ve become so used to writing fictional lives. Some elements in these poems surprised me; they came out of nowhere. Writing poetry helped me explore why I’m the person I am today.

Here’s a poem that I’m proud of, just because I’ve never written something like this before. I was inspired by my days in New York. I look forward to revising it even more.

To infinity

My eyes burn and the computer
keeps staring at me.
Sighs and clicks
accent the air. The heater
moans its frustrations,
and it’s time to go home, finally.
Thanks for everything, Loan.
No problem.

It’s the smell of piss that gets to me.
Sobbing, a dirty-face vagrant
sits with his back
glued to the wall
Hell’s Kitchen.
Please, I need help.
God will come, a woman responds,
Paper-stuffed Bible in hand.
Eyes down, emails to check,
iPhones, Blackberries—
Subway ads are far more interesting.

Footsteps of I-have-tos
edge me
down the corridor
towards the 7 train.
Wheels whine
a cautionary tale.

Ding.
I jump through
biting doors
and the man who follows—
gray-haired, Wall Street, no ring—
almost loses an arm.

Another man
sits across from me:
balding and sweat
casing his forehead.
What does he see in me?
Our eyes meet, and
his smirk bathes
my body with grease
and scum.

Doors open;
people gush out.
The old woman is always there,
her back a hill,
her arms tethered with
plastic bag weights:
her belongings.

I wonder where her children must be,
and how they could
leave her to beg.
My grandmother, if she were alive,
would never have to do this.

Today, she sits
in front of the staircase
until a cop on a Segway
tells her:
You’re bothering people.
And she will not understand.

Underneath Times Square,
a pulse emanates
from the drums beating in the back,
and pushes out into the crowd—
jolts my heart.
Forward I stride
into a dripping tunnel,
down, down, down we go.
Silence arches over
the March on Eighth Ave,
the New York Diaspora.

A family of
fanny packs and sneakers
walk ahead.
I hear my parents
and turn around
to be reminded of home.
But they’re just impostors.

I yearn for the sky again,
so I go above ground, and
elbows collide
against one another.
Breathing in cigarette air,
I tread in a pool of people
waiting
for the walk signal.
Yellow-bullet taxis roar:
Look out!

Above us gray clouds
cluster once more.
Rain drops like bombs
so we run for cover.

We pack the train.
Suits pop open their
Coors Lights, Bud Lights—
poisons to end
their Nine to Fives.
We wait for the lull.

Tickets, please.

—

If you’re interested in reading, here’s the original poem:

The computer screen stares
at me, and sighs and clicks
accent the air. The heater
moans its frustrations,
and it’s time to go home finally.

It’s the smell of piss that gets to me.
Sobbing, a dirty-face vagrant
shivers, his back
glued to the walls.
Please, I need help.
God will come, a woman responds,
Paper-stuffed Bible in hand.
No one sees them.

The drone and taps
of heels and I-have-tos
follow me, edging me
down the corridor
towards the train tracks.
Wheels whine
a cautionary tale.

A man sits across from me.
Our eyes meet,
his smirk bathes
my body with grease
and scum.

Under Times Square,
a pulse emanates
from the drums beating in the back
and pushes out into the crowd—
jolts my heart.
Forward I stride.

Elbows brashly push
against one another.
Breathing in cigarette air,
I tread in a pool of people
waiting
for the walk signal.
Look left and right!
One man bravely
edges out on his own
and we surge ahead.

Above us the gray clouds
cluster once more.
Rain drops like bombs
so we run for cover.

We pack the train.
Suits pop open their
Coors Lights, Bud Lights,
choosing their poisons to end
their Nine to Fives.

We do these things
for another
tomorrow—
over and over
again. Maybe
things will get better.

Time is short.
If someone offered me
Forever,
I would take it.

Oh, summer internships

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Image courtesy of Denise Krebs, creativecommons.org

Image courtesy of Denise Krebs, creativecommons.org

Just two months ago, I was stressed because I hadn’t heard back from any internships. I applied to internships with an optimistic outlook. I had my resume ready and cover letters that were individualized and particular to each potential employer. My belief that I would get an internship was made stronger by my experience last summer.

Weeks passed by and I received no word. I resigned to thinking that I would spend my summer working on my novel. It was a nice idea and all, but I now know that if I’d done that, I wouldn’t make any money. And I’ll be honest: I am such a procrastinator when it comes to writing. I like to think that I write from inspiration, but sometimes inspiration doesn’t come so easily and I resort to checking Facebook, Twitter and the news too much.

Then I got a call from an amazing internship but withdrew because of time constraints. Now here I am. I’m interning at Record-Journal, which is a family-owned company that publishes multiple newspapers. I am expected to write periodically for The North Haven Citizen. I also work with writing the blotter and college news for the administrative desk. When I’m not working, I am also a remote intern for “Contagious Optimism” in the press/publicity department. “Contagious Optimism” is a book series of uplifting and self-help stories.

I’m so thankful for both opportunities, because I feel as if I am doing something of use during the summer. And each day, I’m inspired to write. I haven’t been doing a lot of blogging, so I figured I’d write about my summer.

Here are a few things I’ve learned so far:

Your last choice may be your best choice.

Well, I wouldn’t say these two internships were my last choices, because I didn’t even know they were choices until they were offered to me at the end of the semester. Initially I was so stuck on my dream to intern again in New York that I felt like I would be taking a step backwards if I didn’t not do so again.

Good thing I didn’t. I also like my internships because I can work near or from home. Record-Journal is located 15 minutes away from my house, and I only need a computer to work on “Contagious Optimism.”

Right now, I feel overwhelmed, but I know that I just need to get into the groove of things.

Don’t get carried away with thinking you’re better than anything. 

I often catch myself thinking too highly of myself. I get cocky sometimes. Confidence is a great thing to have, but too much is poisoning.

Applying what you’ve learned.

My two favorite classes out of my Fairfield career have to be Fiction I and Journalism, Editing and Design. The skills I’ve learned in those classes most definitely apply to everything that I do in the ‘real world.’ At my R-J internship, I want to make sure my editors like my writing, which is why I use my AP style and storytelling skills. When I look essays for CO, I think about the grammar and editing tips that Dr. Baden had taught me.

Have fun.

Being in the R-J environment has definitely helped my productivity. I love hearing people typing on their keyboards and answering their phones. Debbie likes to have the radio on and she plays the latest hits. Love it.

In all, I’m honestly enjoying myself.

And hey – I guess I’ll start looking for fall internships. I believe I am qualified for anything related to publishing or journalism. Get at me.

Short fiction piece: Freedom

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I’m reading this short piece tomorrow at a gathering for creative writers. I’m so nervous. I don’t often read my fiction to people other than my close friends. Wish me luck!

Update: It wasn’t bad at all! Everyone seemed nervous but when they started reading from the podium, they sailed through. People read a variety of works. I read short fiction. My roommate, Ali, read a nonfiction piece about ‘catastrophic diarrhea,’ which sounds disgusting but was absolutely hilarious. One person from my fiction class read spoken word and I didn’t know that he was so good at it! A really nervous-looking girl read a poem in which she made a metaphor out of one person’s body part. Who thinks of that?

I left this event feeling extremely fulfilled. We all bared some bit of our souls, so in the end, it didn’t matter if one person messed up or not. What mattered was that we, as creative writers, took the step to read works that we usually keep to ourselves.

The event also made me think about the future. Representatives from Fairfield University’s MFA program discussed how life-changing the seminars and meetings were. They have a community of writers willing to critique and comment on each others’ work. I wish we had more of that at school.

I mean, sure, we have Inkwell, the student-run literary magazine, but at the meetings, we do prompts and read unfinished work. I know that a lot of students don’t feel comfortable reading something that’s unedited and based off a prompt. I think that people might prefer to have a set time and date to read finished masterpieces, and then accept constructive criticisms. I had time to talk to the people who’ve read at this event and they all seemed to agree that this event had somehow changed the writer in them. I can see the confidence in the way they talked about their experience. I sense some coffee shop readings in the future.

Overall, I am so glad that I went to this event and I hope that the creative writing department holds more of these in order to nurture the writing community that they talked about.

Freedom

by Loan Le

When Abby shot the security guard, she didn’t notice that her father, who was pinned underneath the other man’s knee, stopped struggling against his impending arrest. She didn’t know at the time that the gleaming golden bullet from her Glock 27 would make a nearly straight path toward the guard’s neck and lodge itself in his external jugular vein. Abby had only wanted it to go for his shoulder or arm, or anything that’d stop him from reaching for his handcuffs, which were intended for her father. The split second after she sees the guard’s blood spurt in different directions, she naively thinks that, somehow, he’d be alright. Somehow, the mahogany flesh encasing the guard’s massive neck would diminish the bullet’s impact.

The guard didn’t see her. The guard didn’t know that he’d die on a Tuesday in October at 8:14 in the morning. The 250-pound guard collapses on top of her father, who then grimaces at the added weight to his much smaller prone body. Abby doesn’t help him up, not immediately, that is, because she finds that she can’t move her legs. The Glock drops to her feet, only to skid across the sleek marble floor of the bank. Around her, people, who waited to cash in a check or pay their late mortgages, clamber over the black bars that kept them in line, and they run from her, the sixteen-year-old girl who just wanted to help her father pay the bills.

He can’t be dead, she thinks.

If her brother Hayden was with her, Abby knew he’d look at the guard and say, “Wow, good shot, Abs,” because that’s the type of sick guy he is—was … well, before he overdosed two months ago. Hayden would push the man’s body off their father’s. He’d even shoot the guy again for a good measure. He’d tell Abby to run. Abby needs someone to tell her what to do, because right now, she’s stuck. She feels a sudden, new ache in the part that burns whenever she cries alone in her bathroom, the part that perks up when she learns that they’d have enough money to last the month, the part that yearns for freedom. Abby knows the name of this intruder that’s gnawing at her insides, it’s called ‘remorse,’ and she doesn’t like how it feels, but she can’t stop herself from recognizing the calamity that she has caused. As she stares blindly at her trembling hands, she wonders if the man had a toddler waiting at home, excited to see her “Dada” after a long day of work. She imagines the wife who will never again run her hand through her husband’s mousy brown hair in a show of absent-minded affection. Abby thinks of all this because that’s the kind of girl she is – the soft-spoken girl who never, ever imagined that she could kill.

This isn’t what she imagined would happen when she first agreed to help plan robberies with her father and Hayden. If she could have predicted this, she would have said no the day her father told her: “I promise, it’ll only be this one time.” She pictures in her head that cloudy summer morning, when they had, for the third time that week, charred Spam and runny scrambled eggs. She sees her twelve and a half-year-old thin self, hunched over her chipped Ikea plate, holding her shoulders in a way so that her nipples wouldn’t brush up against her T-shirt. At the time, she was growing what all girls her age wanted, but she also knew that her family had no money, and buying training bras were not on the top of the family’s list of priorities. Her father’s plan seemed like the only option they had, so she said yes.

But now, now, as the bank is empty, as her father reaches for her, she finds herself inexplicably caught in what she wanted to escape that day she said yes. Trouble. Confusion. Desperation. She knows that this is the last time she’d steal anything.

The doors to the bank open up, the entrance bell’s chime gets Abby’s attention. She hears the quick footsteps of the officers who barrel themselves into the lobby and their shouts to “Get down!” and “Drop your weapons!” The dead man is pushed unceremoniously off her father, and before he has the time to rub the pain away from his aching chest, the SWAT officers grab hold of him and roughly slam him back onto his stomach.  Abby’s pale blue eyes connect with the officer who’s pointing the nozzle of a gun at her.

She wants to run away. But then she searches for her father. His gray hair has speckles of blood on it. Her father refuses to look at her, now that he’s being led away. She feels a light hand on her left arm; she glances down and back up to see that a redheaded cop is touching her. Her fingers are light on Abby’s pale and dry skin. Abby thinks this is the maternal instinct of the cop coming out. Maybe the cop feels sorry for her – Abby’s only sixteen and going to jail. She killed for her father. She killed because of him.

Abby’s not going anywhere for a long time.